To
say that Brent Stirton is an influence photographer would be a gross
understatement. Stirton is more of an ideal photographer. He is a role model
even for photographers who shoot on his level. No doubt, his photos are top
notch: unique, balanced, interesting and aesthetically pleasing to say the
least. What places Stirton in a league amongst few other camera-wielding bipeds
on this earth is his ability to seamlessly blend conflict, travel, curiosity,
danger, beauty, humanity and culture into 20-some million pixels for the world
to see. I believe releasing the shutter is little more than an afterthought
compared to the mental, physical and emotion work that Stirton pours into his
projects.
Brent
Stirton is, by trade, a photojournalist. A native of South Africa, Brent is
probably best known for his striking images of sub-Saharan African conflicts.
Beyond his work on his home continent, Brent has worked on a great diversity of
projects from the Ukraine to Vietnam. He often utilizes rather unconventional methods
in his work, such as assuming the role of a Canadian rhino horn distributor. By
going undercover, Stirton is able to infiltrate secretive and often dangerous
operations to photograph situations a transparent photojornalist would never be
allowed to witness. During investigative projects, Stirton often collaborates
with the Global Business Coalition against Aids, Tuberculosis and Malaria as
well as the World Wide Fund for Nature. Despite his humanitarian work, Stirton
does not describe himself as a “flagwaving causee”.
I
find the work of Brent Stirton inspirational for a myriad of reasons. Beyond
his gifted eye and humanitarian efforts, it is Stirton’s knack for adventure
and unparalleled dedication that I find incredible. He has found a way to
appease even the hungriest appetite for adventure whilst making a living and
bringing global issues into the public eye. Perhaps his level of commitment
enables this feat; Stirton works away from home 9-10 months out of the year,
almost entirely in 3rd world countries. Photographically, I find
Stirton’s work both visually impression and emotionally rattling. I like how
Stirton rarely shoots at eye level – almost always overhead or from the ground.
Additionally, I feel he excels at capturing perfectly lit scenes. When
possible, he has been known to use portraiture lighting equipment and
techniques even when working in the field. Although his photos are generally
well balanced compositionally, the unique and often intense subject matter
makes up for any less balanced pieces of work he may turn out. As a
photographer, Brent Striton does not so much change the way I look at the world
around me, but rather the way I look at
the world as a whole. I feel that I naturally shoot in a style similar to his
(albeit much more elementary), but it is the work behind his photos I find
inspirational. Stirton is the type of photographer who would climb El Capitan,
to photograph Half Dome, not walk up Half Dome for a photo of El Cap…that is
the mantra I hope to take away from his work.
Works Cited
Stirton, Brent. "Brent Stirton
» Photojournalist » Bio." Brent Stirton » Photojournalist. WOODPRESS, 2012. Web. 10 Sept. 2012.
<http://www.brentstirton.com/>.
Stirton, Brent. "Speaking With
Brent Stirton." Interview. Vimeo.
World Press Photo, June 2012. Web. 10 Sept. 2012.
<http://vimeo.com/43821252>.
Stirton, Brent. "Brent Stirton
Interview." Interview. Youtube.
Circle of Blue, 19 June 2007. Web. 10 Sept. 2012.
<http://www.youtube.com/watch?v=-aRxsChSImc>.
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